If you thought the Jaws franchise finished with Michael Caine joining up with Chief Brody’s wife to finally put an end to the Brody/Bruce(do sharks have last names? Bruce Jaws maybe? The Jaws’?) conflict, you’d be right, and that’s actually quite a good thing. After Jaws 4: The Revenge, the series slipped beneath the waves to be buried where it should of because, well it was just getting silly. The shit they make you swallow in number 4 is just so ridiculous, it’s laughable. What was once a film that awoke a dormant fear in everyone that saw it, turned into an interspecies blood feud that I guess can only be compared to something akin to a Jeremy Kyle episode? Continue reading “The real revenge of Jaws: Jaws 5”
‘Death is the enemy, the first enemy and the last’ says Beric, and it’s true, whenever it comes to what we fear, it always somehow relates to how we wouldn’t like to die. With horror films, you get quite a wide selection of possible demises, but the good thing is you don’t have to worry about 99% of them. In their creativity, they help us deal with the 1% that could actually happen to us, so why not have a look at some more eh?
You might have noticed that the last post ended a bit abruptly, and an abrupt end is only justified if it leads up to something bigger. Like with this film, the ending just kinda happens. It’s not like there’s no build up at all, but the fight at the end is something the kid’s don’t really prepare for so when it happens, you’re not expecting it to be the climax. Continue reading “A love letter to IT(2017) part 1: Pennywise Lives!”
Whenever Gordon Ramsay likes a dish, his go to saying is, ‘wowowow’. This trifecta of awe is a simply yet effective way of expressing, to me at least, that he approves of the ingredients, the way the food looks on the plate, and the way it tastes. The reason I bring this up is because I can think of no more fitting expression to summarise my thoughts on the new adaptation of, in my opinion, Stephen King’s best work – if I were to do it briefly that is. Continue reading “A love letter to IT (2017) part 1: From Book to Film”
I’ve always been fascinated with the 80’s. I think it’s because it was the decade of weirdness in cinema; even the films that will be remembered forever as timeless classics have a certain vibe when they’re from the 80’s. It’s a vibe made from strange fashion trends, grainy soundtracks and a bright yet vintage tint on everything – maybe that makes no sense, but you know what I mean, you always know when you’re watching a film from the 80’s. Continue reading “Transgression Cinema: Nekromantik”
Death is a huge part of the horror genre, perhaps because for a lot of us, death is what we fear the most. We get along with our lives, barely noticing that death is an ever present background feature, and even when we do consider our own demises, we always hope for something quick and peaceful. Unfortunately, that can’t always be the case but no matter the scenario we might find ourselves in when we’re knocking on death’s door, it could always be worse – that is, we could be in a horror film. Continue reading “The Worst Ways to Die in a Horror Film (100-91)”
When you’re a film lover, one of the best things is to love something you watch. You get to end credits and you feel like you’ve just had a big glass of some refreshing fruit juice that leaves an exquisite taste in your mouth. That said, it can also be really fun to hate things too. But then, there are other times, when hating on a film is fun wasteland, and that’s when you get to the end credits and feel bitterly disappointed. And that, I’m sad to say, is where I place my thoughts on Alien: Covenant. Continue reading “Bitter Bastard: Alien:Covenant”